Ticket Information

Images Festival is committed to providing no barrier access to our programs. To ensure experimental moving images are more financially accessible, we are offering a ticket pricing model at selective cost. By opting into a ticket price, our hope is that Images attendees can reflect and support our efforts based on accountability, on mutual reciprocity, and encourage programming that reflects our broader community.

Tickets to Images Festival’s screenings are available on a sliding scale including tiers at $50, $15, $5, and $0. Tickets are available at our online box office at imagesfestival.com. If there are tickets still available on the day of the screening, patrons can purchase tickets in-person at Innis Town Hall.

Passes

Please review our website for the most up to date information on passes and pricing.

Festival Pass

Available for $65 and provide access to all screenings. We will first allocate seats in the theatre for pass-holders, which are then released once the screening begins, at which time they become available to the rush line.

Industry Pass

Available for $65 to artists, curators, filmmakers, and arts administrators. These passes provide access to all festival screenings as well as online access to the same screenings, the latter of which remain available for two weeks after the festival ends. In-person pass holders have priority seating, but any unclaimed seats will be released to the rush line once the screening begins.

Student Pass

Available for $30. You MUST bring a student ID with you when picking up your Student Industry Pass. Student Industry Passes provide access to all festival screenings on a Rush basis.

All gallery exhibitions and online programs are free.

Images Festival operates on land stolen from the Anishinaabe, the Chippewa, the Haudenosaunee, the Huron-Wendat, and the Mississaugas of the Credit First Nation. Tkáron:to is currently home to diverse Indigenous and Métis peoples as well as people who settle on this land. As part of Treaty 13 and the Dish With One Spoon Wampum Covenant, we acknowledge that we all eat from the same bowl and spoon, and must take only what we need, ensuring resources are available for all.

As art workers, artists, and curators, we see the process of untangling ourselves from settler complicity as internal, structural, and ongoing. It is not something to be taken lightly. The inclusion of Indigenous artists and curators into our program is just the first step of necessary and deeper change. Extending from our organizational accountability work, we strive to not only undo forms of complicity, but also actively create an environment and infrastructure that can support Indigenous peoples who work with us.

Images expresses our solidarity with Indigenous people on Turtle Island and globally. We are committed to continuing to learn, critique, and challenge the settler colonial structures we are complicit in.