
Coco Means Ghost
Gabi DaoGabi Dao’s video-poem layers archival fragments, individual and family recollections, and lingering questions linked to Vietnam, unfolding narratives about intergenerational memory—both its legible recordings and its deeply visceral textures. How we remember, less so what, becomes a gateway into somatic residues, which spill from the gaps of official archives and constructed histories.
Eclipse in the Garden
Yuula BenivolskiYuula Benivolski’s mother always wanted a garden, and now she has one. Eclipse in the Garden is a poem about the relationship between a name and a place. Tatars and other non-Russian communities in the USSR were forced to go through Russification—the spread of Russian language, culture, and people into non-Russian cultures and regions. Forcing the many minority groups within the USSR to accept the Russian culture was an attempt to prevent self-determination and separatism. As a result, many people including the filmmaker’s mother weren’t able to use their mother tongue, eventually forgetting it.
Oranges
Erin JohnsonA group of artists engage in collective queer, desirous, and improvisational exchanges while eating oranges on a rooftop. The video reflects on feminist theorist Silvia Federici’s call to “reconnect what capitalism has divided: our relation with nature, with others, and our bodies.”
When Light is Displaced
Zaina BseisoInterested in its parallels with the fate of the Jaffa oranges, the filmmaker speaks to her father about her intention to film the last orange grove in Los Angeles. Their disagreement transforms the grove into a space of contemplation on the politics of storytelling in the multi-generational experience of Palestine in exile.
Where the Forest Ends (detail)
Véronique SunatoriWhere the Forest Ends evokes a threshold where a place of darkness and confusion turns to clarity. This body of work uses the ‘language of flowers’ relative to my personal history and mental health. Citing the traditional Japanese practice of hanakotoba, in which plants were given meaning, this investigation into my roots takes the shape of a chrysanthemum. It is at once a shrine to the beautiful perennial, and likewise, a manifestation of emotional withering.
-Véronique Sunatori
Leakier Gardens
Images Festival presents the exhibition Leakier Gardens, which includes the work of Erin Johnson, Gabi Dao, Véronique Sunatori, Yuula Benivolski, and Zaina Bseiso.
Together, the artists consider multiple forms of nourishment, sustenance, and cultural transference across bodies, territories and generational lines. Alongside these works, the garden extends beyond the plot to include those porous spaces in our lives that require tending to the growth of (one) another, allow entanglements to flourish and where fruit, flower, and seed demand attention and care– not from a master gardener– but through each cultural leakage, slippage, spill and spoil.
Leakier Gardens is the second iteration in an ongoing series of screenings, exhibitions, and myriad potential manifestations. Hosted by Images Festival, this series considers the garden as something that, despite one’s intention, cannot be contained, and thus foregrounds the incontainability of edges and borders. The first iteration, Leaky Gardens, complicated the notion of the garden as a gentle refuge, revealing its colonial roots alongside the work of Eve Tagny, Vanessa Dion Fletcher and Yza Nouiga.
List of Works:
Erin Johnson, Oranges, 2023. Three channel video. 3MIN loop
Gabi Dao, Coco Means Ghost, 2019. Single-channel video, 25MIN.
Véronique Sunatori, Where the Forest Ends, 2023. Installation.
Yuula Benivolski, Eclipse in the Garden, 2021. 8MM>Digital, 6MIN.
Zaina Bseiso, When Light is Displaced, 2023. Digital video, 6MIN.
July 29, 2023
Monday–Friday: 11 a.m.–5 p.m.
Saturday: 12–4 p.m.
440-401 Richmond St West Toronto, ON M5V 3A8
Street level entrance, ramp, elevator, automatic doors, door width 34”. Gender neutral accessible (32”+) washrooms, stall, no automatic door. No accessible parking on site. To access Bachir/Yerex, use either the stairs or elevator to the 4th floor.
For a map to Bachir/Yerex Presentation Space, click here


