NORTH AMERICAN PREMIERE
BELGIUM, 2020, DIGITAL, 8 MIN
Within a subtle weaving of video and sound, a voice is taking us through technical ways to reorient ourselves and balance instability while in movement. Referring to distant, unstable landmarks, as well as mapping and GPS technologies, we constantly look for ways to position ourselves in relation to an environment that changes, second by second.
Rossella Biscotti's (b. 1978, Italy/Netherlands/Belgium) cross-media practice cuts across sculpture, performance, sound works, and filmmaking. Stemming from extended research processes, conceptual excavations, personal encounters, and interdisciplinary collaborations, her works encapsulate meticulous stratifications of materials and meanings.